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As Jonas, Jason Statham’s lack of excitement is contagious. “Great,” he mutters at one point, sounding like he’s in line at the post office. “More Megs.”
Seen in the context of “Oppenheimer,” Steve James’ film serves as a fascinating complement — and in some ways, a corrective — to the Christopher Nolan blockbuster.
Post-Barbenheimer, says Slate critic Dana Stevens, Hollywood should "make space for interesting filmmakers who’ve proven themselves at getting audiences excited in their work."